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If you want an audiophile-grade DAC to handle the front end of your stereo monitoring rig in a mastering facility, the Dangerous Music CONVERT-2 is more than up to the task. This 2-channel digital-to-analog converter is designed to give you a clean, powerful, precise, and accurate performance as you monitor or route audio from the digital domain. Feed your stereo system with signal from the CONVERT-2, and you can be confident in what you're hearing as you work. The CONVERT-2 is also enhanced by a bevy of easy-to-use features. Choose from different input calibrations at the press of a button, and rest easy as the CONVERT-2 automatically adjusts the sample rate when you switch among different sessions. All of this is designed to make stereo mastering a much simpler and more streamlined affair.Aiming to push the limits of previous iterations in this series, Dangerous Music’s CONVERT-AD is an analog-to-digital converter suitable for use in mixing and mastering situations. The unit brings the musical transparency for which Dangerous is famous then goes further by adding useful features and tonal-coloring possibilities. For instance, it offers two sets of XLR inputs that allow you to switch between sources, allowing you to audition different mastering chains or test your master against a reference. Zoomable meters are also on hand, letting you focus on the upper 10 dB of the scale. Another useful?albeit sneaky?inclusion is Dangerous’s proprietary Clip Guard technology, which is explained in depth in the features section. For coloring the sound, Dangerous has included two features, the first being switchable Hammond Transformers to give the sound more analog heft, the second being a custom-tuned Emphasis control that imparts compression, second-order harmonics, and low-end, midrange, and treble frequencies in pleasant proportions. The transformers are switchable on/off, while the Emphasis control is blendable. On the analog side, the CONVERT-AD provides two sets of XLR inputs, while the digital connections include AES/EBU, ADAT Optical, SPDIF Optical and Coaxial, and USB connection. BNC jacks are offered to clock the device to other units, or to allow you to use the Convert-AD as a master clock.?Aiming to push the limits of previous iterations in this series, Dangerous Music’s CONVERT-AD is an analog-to-digital converter suitable for use in mixing and mastering situations. The unit brings the musical transparency for which Dangerous is famous then goes further by adding useful features and tonal-coloring possibilities. For instance, it offers two sets of XLR inputs that allow you to switch between sources, allowing you to audition different mastering chains or test your master against a reference. Zoomable meters are also on hand, letting you focus on the upper 10 dB of the scale. Another useful?albeit sneaky?inclusion is Dangerous’s proprietary Clip Guard technology, which is explained in depth in the features section. For coloring the sound, Dangerous has included two features, the first being switchable Hammond Transformers to give the sound more analog heft, the second being a custom-tuned Emphasis control that imparts compression, second-order harmonics, and low-end, midrange, and treble frequencies in pleasant proportions. The transformers are switchable on/off, while the Emphasis control is blendable. On the analog side, the CONVERT-AD provides two sets of XLR inputs, while the digital connections include AES/EBU, ADAT Optical, SPDIF Optical and Coaxial, and USB connection. BNC jacks are offered to clock the device to other units, or to allow you to use the Convert-AD as a master clock.?The Dangerous Music BAX EQ Stereo Shelving Equalizer is designed by mastering engineers for recording, mixing, and mastering. The unit is based on Peter Baxandall's classic tone control designs and allows you to precisely shape your sound. The back of device features a pair of 3-pin XLR inputs and a pair of 3-pin XLR outputs. The front of the unit includes stepped control knobs for a 12 dB/octave low-frequency cut filter for reducing rumble from infrasonic content. A broad bandwidth shelving EQ control allows you to adjust several octaves at the same time with minimal phase delay, and stepped controls in 0.5 dB increments for left and right low-frequency levels enable you to discretely correct any stereo channel imbalances. Similarly for the treble, the EQ includes stepped control knobs for an Ultrasonic cut filter, a high-frequency shelf filter for adjusting several octaves at once, and independent left and right high-frequency level controls for correcting stereo signal imbalances. When set to "Out", the cut filters are removed through a relay bypass for A/B comparisons of the signal with and without the cut equalization. A hard-wired engage button allows you to bypass all of the equalization hardware from the circuit for true A/B comparisons of the signal with and without the EQ.The Dangerous Music BAX EQ Stereo Shelving Equalizer is designed by mastering engineers for recording, mixing, and mastering. The unit is based on Peter Baxandall's classic tone control designs and allows you to precisely shape your sound. The back of device features a pair of 3-pin XLR inputs and a pair of 3-pin XLR outputs. The front of the unit includes stepped control knobs for a 12 dB/octave low-frequency cut filter for reducing rumble from infrasonic content. A broad bandwidth shelving EQ control allows you to adjust several octaves at the same time with minimal phase delay, and stepped controls in 0.5 dB increments for left and right low-frequency levels enable you to discretely correct any stereo channel imbalances. Similarly for the treble, the EQ includes stepped control knobs for an Ultrasonic cut filter, a high-frequency shelf filter for adjusting several octaves at once, and independent left and right high-frequency level controls for correcting stereo signal imbalances. When set to "Out", the cut filters are removed through a relay bypass for A/B comparisons of the signal with and without the cut equalization. A hard-wired engage button allows you to bypass all of the equalization hardware from the circuit for true A/B comparisons of the signal with and without the EQ.Mastering engineers take note: the Dangerous COMPRESSOR is designed to give you transparent dynamics control, so you can reign in dynamic material, make it loud, and minimize dynamic comprises. With a bevy of useful features, this VCA compressor can help you deliver a master that’s every bit as loud and impactful as the competition, while allowing you to retain a sense of dynamics. A big selling point for the COMPRESSOR is its versatility: the BOX can handle anything from hip hop to acoustic folk with ease. Such versatility is achieved through separate detection circuits for the right and left channels (maintaining impeccable stereo separation), switchable dual-slope detection circuits (for handling peaks and average levels differently), and comprehensive sidechain filtering (to keep low end from triggering compression, or to help tame sibilant material). Add audiophile-grade components throughout as well as stepped controls for perfect recall, and you’ll have a compressor up for transparently handling the most demanding tasks?all without the intermodulation distortion so typical from similar methods employed in the digital realm.Mastering engineers take note: the Dangerous COMPRESSOR is designed to give you transparent dynamics control, so you can reign in dynamic material, make it loud, and minimize dynamic comprises. With a bevy of useful features, this VCA compressor can help you deliver a master that’s every bit as loud and impactful as the competition, while allowing you to retain a sense of dynamics. A big selling point for the COMPRESSOR is its versatility: the BOX can handle anything from hip hop to acoustic folk with ease. Such versatility is achieved through separate detection circuits for the right and left channels (maintaining impeccable stereo separation), switchable dual-slope detection circuits (for handling peaks and average levels differently), and comprehensive sidechain filtering (to keep low end from triggering compression, or to help tame sibilant material). Add audiophile-grade components throughout as well as stepped controls for perfect recall, and you’ll have a compressor up for transparently handling the most demanding tasks?all without the intermodulation distortion so typical from similar methods employed in the digital realm.The Dangerous Music LIAISON Signal Routing Matrix is a 2U rack mountable routing matrix designed by mastering engineers to connect up to six pieces of outboard equipment directly to your system. Additional pieces of equipment can be added to the signal path by daisy chaining, utilizing a patch bay, or integrating with a Dangerous Master unit. The unit features balanced left and right XLR input and output pairs for six routing insert sends/returns and two busses, A and B. A 25-pin D-sub connector provides interfacing to two stereo pairs of external outputs for monitoring the Busses. In standalone mode you can monitor Buss A input for a preprocessing mix and Buss B output as a post processing mix. A switchable 120/240VAC outlet provides power to the unit. The device's control interface enables you to instantaneously insert your outboard gear into the signal chain on either Buss A or Buss B with the push of a button. Deselecting the button bypasses the external gear on that insert from the signal chain. You can reverse the order of outboard equipment on each pair of sends by pressing the flip 1-2, flip 3-4, or flip 5-6 insert buttons. All of your configurations can be stored, recalled, and cleared as presets by utilizing the four preset buttons and clear and store buttons on the front panel of the device. The unit includes a parallel processing buss on inserts 2, 4, and 6. Pressing any of the three parallel processing loop buttons blends the original unprocessed signal with the processed insert signal. A continuously variable potentiometer knob allows you to control the blend of unprocessed and parallel processing. A polarity button allows you to flip the signal of the parallel processing buss 180° out of phase. The device is hand-built in the USA to mastering standards.The Dangerous Music LIAISON Signal Routing Matrix is a 2U rack mountable routing matrix designed by mastering engineers to connect up to six pieces of outboard equipment directly to your system. Additional pieces of equipment can be added to the signal path by daisy chaining, utilizing a patch bay, or integrating with a Dangerous Master unit. The unit features balanced left and right XLR input and output pairs for six routing insert sends/returns and two busses, A and B. A 25-pin D-sub connector provides interfacing to two stereo pairs of external outputs for monitoring the Busses. In standalone mode you can monitor Buss A input for a preprocessing mix and Buss B output as a post processing mix. A switchable 120/240VAC outlet provides power to the unit. The device's control interface enables you to instantaneously insert your outboard gear into the signal chain on either Buss A or Buss B with the push of a button. Deselecting the button bypasses the external gear on that insert from the signal chain. You can reverse the order of outboard equipment on each pair of sends by pressing the flip 1-2, flip 3-4, or flip 5-6 insert buttons. All of your configurations can be stored, recalled, and cleared as presets by utilizing the four preset buttons and clear and store buttons on the front panel of the device. The unit includes a parallel processing buss on inserts 2, 4, and 6. Pressing any of the three parallel processing loop buttons blends the original unprocessed signal with the processed insert signal. A continuously variable potentiometer knob allows you to control the blend of unprocessed and parallel processing. A polarity button allows you to flip the signal of the parallel processing buss 180° out of phase. The device is hand-built in the USA to mastering standards.The Dangerous Music MASTER is a mastering-grade transfer console that gives you essential tools for making critical decisions in mastering. The MASTER provides seamless insert switching for your stereo gear, flawless stereo tracking between left and right channels, offset gain adjustments for precisely level-matched before/after comparisons, and euphonic mid/side processing for extensive mix control. It does all of this while preserving the sound and performance of your analog gear. Befitting the mastering environment, the controls are stepped for precise recall. Patch three pieces of stereo gear into the signal path?or seven, if you pair this console with the separately available Dangerous LIASON. Turn your favorite EQ into an M/S processor by patching it into Insert 2, and adjust the whole M/S balance of the mix with an overall width control. Feed the unit with two sets of stereo inputs and output simultaneously three sets of stereo outputs. If gain-staging is important to your analog workflow, you'll find the MASTER indispensable.The Dangerous Music MASTER is a mastering-grade transfer console that gives you essential tools for making critical decisions in mastering. The MASTER provides seamless insert switching for your stereo gear, flawless stereo tracking between left and right channels, offset gain adjustments for precisely level-matched before/after comparisons, and euphonic mid/side processing for extensive mix control. It does all of this while preserving the sound and performance of your analog gear. Befitting the mastering environment, the controls are stepped for precise recall. Patch three pieces of stereo gear into the signal path?or seven, if you pair this console with the separately available Dangerous LIASON. Turn your favorite EQ into an M/S processor by patching it into Insert 2, and adjust the whole M/S balance of the mix with an overall width control. Feed the unit with two sets of stereo inputs and output simultaneously three sets of stereo outputs. If gain-staging is important to your analog workflow, you'll find the MASTER indispensable.The Dangerous MONITOR ST is a professional monitor controller designed for pro-level mixing and mastering applications. The MONITOR ST makes use of audiophile-grade components at every step for a flawless and pristine sound, one that doesn't color what you're hearing. Talkback, Solo, Dim, Mute, and Mono Controls are on hand, as is a dedicated sub output with its own filter. As this is designed for professionals, the MONITOR ST comes with a bevy of bells and whistles to make your life easier, including a 20W-per-channel headphone amplifier, a talkback system for communicating with talent, and offset matching for automatically compensating the levels of different sources and monitors. You'll be able to run four analog inputs and one Aux input to three sets of speakers and a sub with the touch of a button. A comprehensive remote is included, so you can control all the features of this 1 RU unit from your sweetspot.The Dangerous MONITOR ST is a professional monitor controller designed for pro-level mixing and mastering applications. The MONITOR ST makes use of audiophile-grade components at every step for a flawless and pristine sound, one that doesn't color what you're hearing. Talkback, Solo, Dim, Mute, and Mono Controls are on hand, as is a dedicated sub output with its own filter. As this is designed for professionals, the MONITOR ST comes with a bevy of bells and whistles to make your life easier, including a 20W-per-channel headphone amplifier, a talkback system for communicating with talent, and offset matching for automatically compensating the levels of different sources and monitors. You'll be able to run four analog inputs and one Aux input to three sets of speakers and a sub with the touch of a button. A comprehensive remote is included, so you can control all the features of this 1 RU unit from your sweetspot. |
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120,000원
396,600원
403,900원
306,000원
358,600원
2,202,000원
102,900원
1,346,400원
98,200원
427,200원
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배송비 및 수수료 안내 |
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고객센터 |
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Dangerous Music |
Dangerous Music 2-BUS+ 16-Channel Analog Summin... |
4,808,600 원 |
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Dangerous Music |
Dangerous Music MASTER CUTTER Vinyl Mastering T... |
13,526,900 원 |
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Dangerous Music |
Dangerous Music MASTER Transfer Console for Mas... |
7,514,300 원 |
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Dangerous Music |
Dangerous Music LIAISON Signal Routing Matrix |
4,808,600 원 |
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Dangerous Music |
Dangerous Music BAX EQ Stereo Shelving Equalizer |
4,508,000 원 |